Showing posts with label attraction. Show all posts
Showing posts with label attraction. Show all posts

Monday, December 17, 2012

Word Power.

Being a lover of words and a lover of women...and friendships with men (hehehe) and the internet you can imagine my excitement to "land" upon this article that i have copied and pasted below. You can read it here.

I particularly liked Cafuné because i imagine doing it to her, La Douleur Exquise because its what i have experienced on many an occasion and Ilunga because its Bantu(African) and i am a Pan Africanist and because i understand the emotion they speak of. Enjoy

Mamihlapinatapei (Yagan, an indigenous language of Tierra del Fuego): The wordless yet meaningful look shared by two people who desire to initiate something, but are both reluctant to start. 

Oh yes, this is an exquisite word, compressing a thrilling and scary relationship moment. It’s that delicious, cusp-y moment of imminent seduction. Neither of you has mustered the courage to make a move, yet. Hands haven’t been placed on knees; you’ve not kissed. But you’ve both conveyed enough to know that it willhappen soon… very soon.
 Yuanfen (Chinese): A relationship by fate or destiny. This is a complex concept. It draws on principles of predetermination in Chinese culture, which dictate relationships, encounters and affinities, mostly among lovers and friends.
From what I glean, in common usage yuanfen means the "binding force" that links two people together in any relationship. 
But interestingly, “fate” isn’t the same thing as “destiny.” Even if lovers are fated to find each other they may not end up together. The proverb, “have fate without destiny,” describes couples who meet, but who don’t stay together, for whatever reason. It’s interesting, to distinguish in love between the fated and the destined. Romantic comedies, of course, confound the two.
 Cafuné (Brazilian Portuguese): The act of tenderly running your fingers through someone's hair.
 Retrouvailles (French):  The happiness of meeting again after a long time. 
This is such a basic concept, and so familiar to the growing ranks of commuter relationships, or to a relationship of lovers, who see each other only periodically for intense bursts of pleasure. I’m surprised we don’t have any equivalent word for this subset of relationship bliss. It’s a handy one for modern life.
 Ilunga (Bantu): A person who is willing to forgive abuse the first time; tolerate it the second time, but never a third time.
Apparently, in 2004, this word won the award as the world’s most difficult to translate. Although at first, I thought it did have a clear phrase equivalent in English: It’s the “three strikes and you’re out” policy. But ilunga conveys a subtler concept, because the feelings are different with each “strike.” The word elegantly conveys the progression toward intolerance, and the different shades of emotion that we feel at each stop along the way.
Ilunga captures what I’ve described as the shade of gray complexity in marriages—Not abusive marriages, but marriages that involve infidelity, for example.  We’ve got tolerance, within reason, and we’ve got gradations of tolerance, and for different reasons. And then, we have our limit. The English language to describe this state of limits and tolerance flattens out the complexity into black and white, or binary code. You put up with it, or you don’t.  You “stick it out,” or not.
Ilunga restores the gray scale, where many of us at least occasionally find ourselves in relationships, trying to love imperfect people who’ve failed us and whom we ourselves have failed.
 La Douleur Exquise (French): The heart-wrenching pain of wanting someone you can’t have.
When I came across this word I thought of “unrequited” love. It’s not quite the same, though. “Unrequited love” describes a relationship state, but not a state of mind. Unrequited love encompasses the lover who isn’t reciprocating, as well as the lover who desires. La douleur exquise gets at the emotional heartache, specifically, of being the one whose love is unreciprocated.
 Koi No Yokan (Japanese): The sense upon first meeting a person that the two of you are going to fall into love. 
This is different than “love at first sight,” since it implies that you might have a sense of imminent love, somewhere down the road, without yet feeling it. The term captures the intimation of inevitable love in the future, rather than the instant attraction implied by love at first sight.
 Ya’aburnee (Arabic): “You bury me.” It’s a declaration of one’s hope that they’ll die before another person, because of how difficult it would be to live without them.
The online dictionary that lists this word calls it “morbid and beautiful.” It’s the “How Could I Live Without You?” slickly insincere cliché of dating, polished into a more earnest, poetic term.  
 Forelsket: (Norwegian):  The euphoria you experience when you’re first falling in love.
This is a wonderful term for that blissful state, when all your senses are acute for the beloved, the pins and needles thrill of the novelty. There’s a phrase in English for this, but it’s clunky. It’s “New Relationship Energy,” or NRE.
  Saudade (Portuguese): The feeling of longing for someone that you love and is lost. Another linguist describes it as a "vague and constant desire for something that does not and probably cannot exist."
It’s interesting that saudade accommodates in one word the haunting desire for a lost love, or for an imaginary, impossible, never-to-be-experienced love. Whether the object has been lost or will never exist, it feels the same to the seeker, and leaves her in the same place:  She has a desire with no future. Saudade doesn’t distinguish between a ghost, and a fantasy. Nor do our broken hearts, much of the time

Wednesday, May 2, 2012

Form and Function


Form is followed by Punctuation…

I mean seriously form is followed by punctuation mostly exclamation marks. Where did this all come from? Well the other day, while walking the streets of this fine, fine city kampala, I see this lady across the street and I stop.

She starts to cross the street. I stop. She is of average height and slight build. Her FORM is not too much and not too little but what gets me is her legs. She was not wearing one of those contrivances now days called skirts but a beautiful floral dress stopping just below her knees. It was the perfect frame to the work of art that stuck out from below.

Boy let me tell you, there was some serious punctuation of exclamation about that form. These fine works of are tapered off to perfect feet clad is great heels. I had to look up. As a whole, the aesthetic was not at all unpleasant to the eye and it was welcome.

It took me a while to realise that I was supposed to cross the street and so shaking my head to dispel the visual, i cleared my throat and cross.

The rest of the day I pondered form. Why? Well this woman captured my attention just like that (insert fingers snapping here). I can tell you that there was nothing evil or lustful about my admiration. Here I was following some ancient written code about a man and a maiden.

And I laughed and mused with God, asking him about all this and you know what, that was the sole intention. Beauty, form was following the function of attraction and possible courtship and marriage and then children and so on and so on.

It is essential to the continuity of this planet. But ours goes beyond just animal instinct. So he gives us guidelines on how all this works out and follows. Through his guidance and instruction he creates a musical beyond our wildest dreams, a dance that takes us to great heights and places we could have only dreamed, he writes a symphony of the ages, one that captures and enchants. His form follows the function of love and attraction.

Random

in case you are having trouble rocking those jeans